Gary Jansz - guitar, bowed guitar, keys, vocals
Alice Cantine - organ, keys, xylophone, vocals
Peter X - bass guitar, banjo
Keith Marchand - traps
Carrie Haber - cello


 
 
 
Filaments EP

Aiding and Abetting
Jon worley

Quinimine hails from Montreal and is a product of the Mile End (you might recall my decidedly positive reviews of Molasses, another band from the same sorta scene). There are elements of roots, noise, jazz and more. Basically, this stuff is crafted to the extreme, and yet it sounds homey and warm.
As befitting an "art roots" act (I kinda like that label, though I'm sure the band would--rightfully--hate it), Quinimine covers Kurt Weill and an old folk standard along with three original pieces. Each has a distinctive sound that could only come from this band.
Astonishingly beautiful, and even so, still quite approachable. Quinimine isn't art to be appreciated from afar. These songs demand the most intimate sharing imaginable. Prepare to immerse yourself.

Filaments EP

Action Attack Helicopter
Dan Magnum

First of all, this band gets an A+ on the layout and packaging. It's nice to see something like this come my way every so often. Simple and elegant, just the way I like it. The CD even gets tucked away in its own little black envelope. You know what else is simple? Everything. Quinimine, to some, will probably get written off as being just background music. Sure, it's not loud, it's not rock and it's not supposed to be. It's very well written instrumentally and softly sung by Gary Jansz and Alice Cantine. With the incorporation of a banjo on tracks like "Median States" and "September Song" you almost get a country-ish feel for this but I can't help but be reminded of Hayden. The perfect music for reading the paper on Sunday morning. This is my top pick this month.